Before the crowd arrived |
TB-9 was a ceramic and sculpture studio on the campus of UC Davis in the 1960’s. This event brought together three students of Robert Arneson, the man responsible for making the Temporary Building 9 what is was. Steven Kaltenbach, Peter VandenBerge, and Gerald Walburg, the three past students, all credited Arneson as being the mastermind behind TB-9. They praised Arneson for his approach at teaching and shared stories with us of the crazy nights they spent creating art together. The building number 9 was on campus for almost 40 years before Arneson decided to take it over to teach ceramic and metal sculpture to the art students of UC Davis. Arneson was described as an innovative man going against traditional ceramic art that was being made at that time. In the 1960’s the ceramics being produced were equated with beautiful forms, Arneson rejected functional ceramic art and started what is known today as the Ceramic Funk Movement. He gave these students the confidence they needed to explore their medium and think about art in a different way.
The crowd waiting for the talk to start |
Three of the remaining members of the group of artists that experienced TB-9. (left to right) Peter Vandenburge, Steven Kaltenbach, and Gerald Walburg. |
One way Arneson and his teaching methods promoted creativity
by allowing the students to always have a place to create because TB-9 was
known for never being locked. The stories they shared made it obvious there was
a strong connection among the students as well as with their teacher, a
creative bond that resulted in amazing innovative artwork and artists. The art
department was allowing students the freedom to create new things that were not
seen before. The environment was described as being comfortable, a place where
students felt free to explore, work and most importantly talk to each other
about their work, this was different than other traditional classes, where it was
about just creating. The openness of TB-9 allowed student to use each other as
inspiration and help if needed. They were able to feed off each other, stealing
ideas and going off each other’s work.
Shankara, steel, by Gerald Walburg |
The three talked about how their teachers were all very
young at the time so they felt like they could relate to them and this created
even more of a bond. Arneson was described as being a wonderful man who often
invited students over to have a beer and talk about ideas, even getting the
students together to visit museums and look at artwork together for
inspiration. Stories were also shared about a great visiting artist program at
Davis that helped keep inspiration fresh as well.
House Poet, Ceramic, 2000. Work by Peter Vandenberge located in CSUS Library |
Steven Kaltenbach
graduated from UC Davis and eventually came to work right here at California
State University Sacramento, retireing in 2005. He continues to create and
exhibit his work nationwide. Gerald Walburg is known now for his large scale
metal sculptures seen on several college campuses including San Jose State
University and of course our own California State University Sacramento, right
in front of the Library. He also eventually came to teach art here at Sac
State. Peter VandenBerge is well-known for his ceramic art, which can also be
seen on campus in our Library by the main entrance (pictured). Like his fellow
ex-classmates Vandenberge too found his way back to the surrounding area and
taught art here at Sac State. All three, retired now, can still be seen
wandering around the art studios here on campus, so if you are by the art
department keep your eyes open, you might be standing next to a piece of local
history.
Portrait of My Father, 1972-79, acrylic on canvas, by Steven Kaltenbach |
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